Entertainment Production Basics
My Covid-19 Short Film
![](http://colinbergen.com/wp-content/uploads/2021/11/Overeasy.png)
Overeasy was an exercise in trying to do more with less. Initially, I was an editor and an assistant director to a different film project. This project would have been with production-quality equipment and a full team of students. The pandemic radically altered our plans; consequently, each student was then responsible for their own individual short film. We had to make our films from scratch using whatever materials we happened to have on-hand.
Like any creative process, I had to begin with a bit of brainstorming. Since I was the only actor available for this film, I had to come up with a premise that would allow for a story with minimal dialogue. I came up with the idea of a lonely guy in an abusive relationship with an inanimate object, which in this case turned out to be an egg with a face drawn on it. I felt that this would be a nice tongue-and-cheek reference to the loneliness people felt in the isolation of the pandemic.
Once my pitch was approved, I storyboarded the project using photographed models of the scenes. I revised the story from there, and then I began to shoot my film. I used my phone as the camera with the “Filmic Pro” app to simulate an appropriate film shooting speed. The phone also had to function as a makeshift microphone, which was definitely not ideal even for the little amount of dialogue there was.
![](http://colinbergen.com/wp-content/uploads/2021/11/An-Eggscelent-Date-1024x584.png)
By far the two greatest challenges for the shooting of this film were the lighting and the continuity. I had to use an area of the house that was both frequently occupied and next to a giant window. I also had to film at a time when people had no reason to be there and when the lighting could be consistent; therefore, I scheduled filming at the same time of night across multiple days. I also planned to film certain scenes in a single session so that continuity could be accurately maintained.
Once I had my filming done, I created a cut of the film using Premiere Pro 8. This is an area I felt I particularly excelled at, and I think it was probably the most vital aspect to this film. Without dialogue to supply it, the humor was very dependent on the timing of the shots. I also needed to convey a sense of progression and space without redundancy. I felt I was very successful in this regard, and it is this aspect that makes me proud of the film.